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Late 80’s in Northern France, women are being sexually assaulted along the same road by the Samber river – with attacks taking place early mornings and in a similar style. The police fail to get to grips with the extent of these assaults or make a connection between the cases. The justice system is overwhelmed by the accumulating cases. It will take 30 years to catch a man, who never stopped attacking women and is responsible for at least 54 cases of rape or sexual assault.

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Approaches to important life values can vary: while the top athlete who has made it in cycling tries to monetise his talent, his brother cannot devote himself to his beloved sculpture because of his disabled arm and seeks alternative self-fulfilment. Moreover, the two are united - and at the same time divided - by a love affair with the same woman.

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Lucie Rýdlová is found dead at a destroyed car after a night accident. The seat position shows that she cannot have been driving, and the dissection proves that she had died about four hours after the accident. It is for sure that a timely medical assistance could have saved her life. A pretty young tennis player Lucie lived at her grandmother, because her parents had been working abroad. Criminalists found out that the girl was going out with the interpreter Valenta (Eduard Cupák), who was twenty years older than her, divorced and a bit egoistic man.

The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.

An intriguing story about a family and a manor house (where some terrible crimes were committed in the past by a member of that family) adapted from a novel with the same title by Tabajara Ruas.

Set in a South Bohemian village, this faithful film version of Smetana’s opera follows farmer Krušina’s plan to marry his daughter Mařenka to wealthy Vašek. Mařenka loves Jeník, a stranger. Through matchmaking schemer Kecal’s plots and revealed identities, true love triumphs in a festive village wedding.

Pretty country girl Verunka is afraid that she will never get married. No groom is good enough for her mother. Above all, she wants a rich groom for her daughter. She would never give her Vendulka to the painter Žabž, even though he truly loves her daughter. The lavish dress and title enchant her mother Hromaska, and she has no idea who she is promising Vendulka to as her wife. If it weren't for the clever Žabž, Hromaska ​​could have the devil as her son-in-law.